Jennifer Bartlett
to walk means to fall
to thrust forward
to fall and catch
the seemingly random
is its own system of gestures
based on a series of neat errors
falling and catching
to thrust forward
sometimes the body misses
then collapses
sometimes
it shatters
with this particular knowledge
a movement spastic
and unwieldy
is its own lyric and
the able-bodied are
tone-deaf to this singing some
falling
is of its own grace
some
falling
rather occurs
out of laziness or distraction
here, the entire frame is shaken
these are the falls
where I tell myself
you shouldn’t have fallen
I mean to inflict
while the critic of the world watches
o stupid, stupid world
Jennifer Bartlett was born in the San Francisco Bay Area and educated at the University of New Mexico, Vermont College, and Brooklyn College. Bartlett is the author of Derivative of the Moving Image (UNM Press, 2007), (a) lullaby without any music (Chax, 2012), and Autobiography/Anti-Autobiography (Theenk, 2014). Bartlett also co-edited, with Sheila Black and Michael Northen, Beauty is a Verb: The New Poetry of Disability. In December 2014, she co-edited, with Professor George Hart, a collection of the poet Larry Eigner’s letters and participated in a “roundtable” on disability and poetics for Poetry Magazine. Bartlett has received fellowships from the New York Foundation for the Arts, Fund for Poetry, and the Dodd Research Center at the University of Connecticut. She is currently writing a full-length biography on Eigner, and recently had a residency at the Gloucester Writer’s Center. Bartlett has taught poetry and disability awareness at Willie Mae Rock Camp for Girls, United Cerebral Palsy, the MS Society, and New York Public Schools. Bartlett has had mild cerebral palsy since birth.